The thing about "The Hills Run Red" is that it manages to take the tired theme of a hulking, silent killer and provide a much needed twist of originality to it. Not to mention it leaves viewers with a breath of fresh air in the snuff film department. With a systematic structure of the solving of a mystery, it moves with a stoic pace through the stages of collecting evidence/witnesses and leads through the ultimate confrontation with the mystery itself.
The production value of the film is quite solid for a non-theater release, and the effects were appropriately sanguine. With a baby-mask-wearing killer that moves at the slug pace of Leatherface, the first reaction I had was that the themes and story of this movie would be pretty cut and dry overdone. Not so, though actually. It's methods of death and twist on the snuff film genre develop a feast for rehashing older ideas into new exciting ones.
That twist comes i the form of the snuff film in question. Rather than this movie being a snuff film in its own right, it follows an itinerary of films in the mystery genre The search for the snuff movie is the boon of the protagonist, and in writing the movie in this fashion, the film provides a breath of life into an overused genre, and while it isn't entirely without flaw, HRR provides a nice diversion from the typical slasher film and offers what could pave the way for future works in the genre.
I give it : 3/5
-ZOMBIE